tag:blogger.com,1999:blog-73624286517064661622024-03-05T12:21:14.891-08:00AZAR'actuAzara Sanhttp://www.blogger.com/profile/15388607085841190309noreply@blogger.comBlogger114125tag:blogger.com,1999:blog-7362428651706466162.post-28689842833880221662018-05-23T15:37:00.000-07:002018-05-23T15:37:12.905-07:00ATELIERS DE LA MORINERIE- PORTES OUVERTES 2018 <div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuW3MCaDksEHHJa904-JQvsVQplLAx7MO2agZWXqAVY1lwOWvirdB25M1b5dbsEgrKRl4QAmqq6prOoWmCSbPJ9oJOiiKwO7aNFfhYQuFdSWBo3WIEGTRBHN7w8GFOoUpAJ6PSgxCiHG57/s1600/33037652_1969223726709875_670507363421126656_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="718" data-original-width="1600" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuW3MCaDksEHHJa904-JQvsVQplLAx7MO2agZWXqAVY1lwOWvirdB25M1b5dbsEgrKRl4QAmqq6prOoWmCSbPJ9oJOiiKwO7aNFfhYQuFdSWBo3WIEGTRBHN7w8GFOoUpAJ6PSgxCiHG57/s640/33037652_1969223726709875_670507363421126656_o.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihxfDFaETJzRdOVx4gGuZXDLmWtY7Y8YswuXGXA5QH3JJrI33KhHkEsApo6K3iRB4zthmy68FbP5VzNgGDpQQIf9atJU7zduuFGWZerFDBfxXRqMAXtzpIbjptH5cvCOGpaI2BLxBBf_My/s1600/32690322_1966113223687592_4842921925158109184_n.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="960" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihxfDFaETJzRdOVx4gGuZXDLmWtY7Y8YswuXGXA5QH3JJrI33KhHkEsApo6K3iRB4zthmy68FbP5VzNgGDpQQIf9atJU7zduuFGWZerFDBfxXRqMAXtzpIbjptH5cvCOGpaI2BLxBBf_My/s320/32690322_1966113223687592_4842921925158109184_n.png" width="320" /></a></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>Les Ateliers de la Morinerie, c'est</b></span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>QUOI ?<br />15 000 m² de friche industrielle reconvertie en un lieu pluridisciplinaire (arts plastiques, arts du spectacle, arti<span class="text_exposed_show" style="display: inline;">sanat d’art...), regroupant 80 ateliers.</span></b></span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>QUI ?<br />— Annie CATELAS et la société CLEN, propriétaire des lieux<br />— Une centaine d’artistes et d’artisans<br />— Une cinquantaine d’associations</b></span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>COMMENT ?<br />En 2007, sous l’impulsion de la société CLEN, une bribe d’atelier d’artiste s’ébauche sur le site. Aujourd’hui CLEN, mécène engagé, dédie pleinement les Ateliers de la Morinerie au soutien de la création artistique.</b></span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>OÙ ?<br />Au 21, rue de la Morinerie à Saint-Pierre-des-Corps</b></span></div>
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<b><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><a href="https://www.facebook.com/lesateliersdelamorinerie/" target="_blank">Les Ateliers de la Morinerie sur facebook</a></span></b></div>
Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-69784082487414387852018-05-18T02:54:00.000-07:002018-05-18T02:55:50.005-07:00LIGNE VERTE de la ROBERTSAU - Parcours GEODESIA#2 <b style="color: #666666; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><i>Un
parcours, matérialisé par une Ligne Verte pointillée, relie la
maquette <a href="http://azaractu.blogspot.fr/2018/05/geodesia-2-quartier-de-leurope.html" target="_blank">GEODESIA#2</a> à une centaine de plantes sauvages ou invasives
dans le quartier de la Robertsau. Dans la maquette, ces plantes sont
géantes comparé à leur réalité urbaine. Un étrange renversement
d’échelle s’opère et nous invite à requestionner notre rapport
au vivant.</i></b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-uvoFg2IcSovLNn_aQJRvMRaZdhgirdaZXVflUsmGRysMZJ6_zpJ4ttewaTaZnY1ZAnd4GQNRGN8_xt6XBWmiiefaw_BS7_d5CDHcbuLN94cdsG3VJwqkf4SHEk88TRffND2qvEDjNy_B/s1600/Azara-San-LIGNE-VERTE-Robertsau-4-net.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-uvoFg2IcSovLNn_aQJRvMRaZdhgirdaZXVflUsmGRysMZJ6_zpJ4ttewaTaZnY1ZAnd4GQNRGN8_xt6XBWmiiefaw_BS7_d5CDHcbuLN94cdsG3VJwqkf4SHEk88TRffND2qvEDjNy_B/s640/Azara-San-LIGNE-VERTE-Robertsau-4-net.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijOSp2AEEtgRmnB0GG97VzVOsAuXeCJB3uHY7pyA8HdSV8SDDgKVUGeGXGu5Auy7UmhSKtPRU3gn3k1HOBDqFjoTATK1b7cxLI0NW6U8uQnb25OG4fdZ49WTmKF9swFVfIp4OoTHx6LPsc/s1600/Azara-San-LIGNE-VERTE-Robertsau-net.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijOSp2AEEtgRmnB0GG97VzVOsAuXeCJB3uHY7pyA8HdSV8SDDgKVUGeGXGu5Auy7UmhSKtPRU3gn3k1HOBDqFjoTATK1b7cxLI0NW6U8uQnb25OG4fdZ49WTmKF9swFVfIp4OoTHx6LPsc/s400/Azara-San-LIGNE-VERTE-Robertsau-net.jpg" width="266" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTE3g1a_HlDWbCMUpKyY665UpbQtj83Uqx2bXROBJUycGCkq33j66HBg-lKQrmx2OJVfp3UOY1PWGbeR7Gn0bcPRgFxTage3B2Cjlgx93g7XicCArOU6HbspBZJHqwFC5GTFe0Ko0HSSPl/s1600/Azara-San-LIGNE-VERTE-Robertsau-3-net.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTE3g1a_HlDWbCMUpKyY665UpbQtj83Uqx2bXROBJUycGCkq33j66HBg-lKQrmx2OJVfp3UOY1PWGbeR7Gn0bcPRgFxTage3B2Cjlgx93g7XicCArOU6HbspBZJHqwFC5GTFe0Ko0HSSPl/s400/Azara-San-LIGNE-VERTE-Robertsau-3-net.jpg" width="266" /></a></div>
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<span style="color: #666666; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b><i><b><i>Des
formules iconiques chargées de symboles liés à l’environnement
et à l’activité l’économique accompagnent la Ligne Verte. Ce
langage à la fois familier et intraduisible témoigne de
l’incapacité de notre société à formuler clairement sa vision
environnementale. Il marque également la duplicité récurrente de
nos actions sur le vivant.<span style="font-size: x-small;"> </span></i></b></i></b></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZIX8g3Y1isHTnMRjmlY2EXou5RCEuWJ70sSBCfBNoCQ8dx9EYWx8x2mHH4yPxXGtVYz71tQV4r0oiX4AHCBwwcTGjehMvR8EdnbiTKj_QY_eF2_v7xZnP5Ab9u0kdybZBtoGkx9BDcxaQ/s1600/Azara-San-LIGNE-VERTE-Robertsau-2-net.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZIX8g3Y1isHTnMRjmlY2EXou5RCEuWJ70sSBCfBNoCQ8dx9EYWx8x2mHH4yPxXGtVYz71tQV4r0oiX4AHCBwwcTGjehMvR8EdnbiTKj_QY_eF2_v7xZnP5Ab9u0kdybZBtoGkx9BDcxaQ/s640/Azara-San-LIGNE-VERTE-Robertsau-2-net.jpg" width="640" /></a></div>
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<span style="color: #666666; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b><i><span style="font-size: x-small;"><br /></span></i></b></span>Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-40841275917656630652018-05-05T17:02:00.003-07:002018-05-14T12:16:41.643-07:00GEODESIA #2 - VIVACITE Strasbourg - Vernissage 18 Mai<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiORXfQBpSRIq75TUPxOX2QMTEeva1vMVf40QrV4jiX8vkDW8aiMxzi-BQE4u0LrQel8iCFAUXDYbhyPG8_Ymh6AhK8d9wLdEWM5m8e0Hkar8fKijxv46vP9wddJDvDCVcHaxx6UTODcamb/s1600/facebook-vivacite-pangram-black-redimenssion-1024x483.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="483" data-original-width="1024" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiORXfQBpSRIq75TUPxOX2QMTEeva1vMVf40QrV4jiX8vkDW8aiMxzi-BQE4u0LrQel8iCFAUXDYbhyPG8_Ymh6AhK8d9wLdEWM5m8e0Hkar8fKijxv46vP9wddJDvDCVcHaxx6UTODcamb/s640/facebook-vivacite-pangram-black-redimenssion-1024x483.jpg" width="640" /></a></div>
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VERNISSAGE</div>
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18 MAI à l'<a href="http://www.apollonia-art-exchanges.com/fr/" target="_blank">espace d'Apollonia</a></div>
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18H30 en présence des artistes</div>
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Exposition du 19 mai au 2 septembre 2018</div>
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<span style="color: #666666;">mer/ven - 11h à 18h</span></div>
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<span style="color: #666666;">sam/dim - 14h à 18h</span></div>
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<b>Espace Apollonia</b></div>
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<b>23 rue Boecklin, 67000 Strasbourg</b></div>
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<span style="color: #38761d; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><i>«Vivacité» expérimente l’implication artistique dans la ville. </i></span><i style="font-family: "helvetica neue", arial, helvetica, sans-serif; font-size: 0.875rem;">L’exposition interroge ainsi la manière de réinventer la cité par la dynamique de la création en s’appuyant sur le végétal. Les onze projets installés dans plusieurs lieux ; Apollonia, son jardin, l’Escale, le Lieu d’Europe, le quartier de la Roberstau, sont autant de clins d’œil à la présence du végétal dans nos espaces de vie. </i><i style="font-family: "helvetica neue", arial, helvetica, sans-serif; font-size: 0.875rem;">Ces sculptures, installations, mises en scènes nous offrent d’autres possibilités d’appréhender notre cité, en découvrant des aspects méconnus et insoupçonnables, son étonnante biodiversité, ses espaces partagés, des promenades créatives. </i><i style="font-family: "helvetica neue", arial, helvetica, sans-serif; font-size: 0.875rem;">Ces œuvres tantôt ludiques, tantôt critiques, questionnent le rapport complexe que nous entretenons avec le végétal et notre environnement.</i></div>
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<span style="color: #38761d; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><i>Artistes et collectifs : Agnès Rosse, Azara San, Collectif Freemousse, LAAB (Laboratoire Associatif d’Art et de Botanique), Les Nouveaux Voisins, Eduardo Kac, Elparo, Marie-Hélène Richard, Philippe Obliger, Stéphane Clor, The Collective. </i></span><i style="font-family: "helvetica neue", arial, helvetica, sans-serif; font-size: 0.875rem;">En collaboration avec </i><i style="font-family: "helvetica neue", arial, helvetica, sans-serif; font-size: 0.875rem;">le Lieu d’Europe, L’Escale, Emmaüs Scherwiller et l’ADIR.</i></div>
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<a href="http://www.apollonia-art-exchanges.com/fr/vivacite/" style="background-color: white; font-family: "helvetica neue", arial, helvetica, sans-serif; font-size: 13.86px;"><b>www.apollonia-art-exchanges.com</b></a></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.com23 Rue Boecklin, 67000 Strasbourg, France48.5985522 7.7774815000000217-29.544547800000004 -157.45689349999998 90 173.01185650000002tag:blogger.com,1999:blog-7362428651706466162.post-67988858008338266942018-05-05T16:08:00.003-07:002018-05-20T11:17:36.052-07:00GEODESIA #2 - Quartier de l'Europe - Strasbourg<div>
<span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;">GEODESIA #2 est une oeuvre minérale et végétale en évolution .</span></div>
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<span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;">C'est une maquette du quartier, précisément du quartier où elle se trouve (quartier des affaires Européennes de Strasbourg) entièrement réalisée avec des chutes de matériaux de la construction récupérés aux alentours de la ville.</span></div>
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<span style="background-color: white;"><span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Posée dans l'espace urbain et laissée à l'abandon de toute intervention humaine, la maquette est destinée à se transformer en un micro-jardin du Tiers-Paysage. Elle sera possiblement entièrement recouverte de végétation spontanée, et le tracé urbain méconnaissable.</i></b></span></span></span></div>
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<span style="background-color: white;"><span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><i><b style="font-size: 13.86px;">Ce projet propose de délaisser une oeuvre plastique pour la soumettre à l'organisation du vivant. C'est une opération de déplacement du voir vers l'observation et l'expérimentation. On y découvre la résilience du végétal du Tiers-Paysage, refuge de la biodiversité, autrement appelé "plante sauvage de nos rues". On y observe aussi la dégradation de nos matériaux de construction dont la troublante progression évoque aussi bien</b></i></span></span><i style="background-color: white; color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><b style="font-size: 13.86px;"> </b></i><i style="background-color: white; color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><b style="font-size: 13.86px;">la beauté des ruines passées </b></i><span style="background-color: white;"><span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><i><b style="font-size: 13.86px;">que l'</b></i></span></span></span><i style="background-color: white;"><span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b>impétuosité</b></span></span><b style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px;"> d'un devenir incertain.</b></i></div>
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<span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;">23 rue Boecklin, 67000 Strasbourg</span></div>
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<span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;">Partenaire de construction <a href="http://www.emaaa.fr/" target="_blank">EMAAA Mosaïques</a></span><br />
<span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;">Tous mes remerciements à l'<a href="http://www.unicem.fr/accueil/materiaux-du-quotidien/15-materiaux/gres-des-vosges/" target="_blank">Union des Producteurs de Grès des Vosges</a>, <a href="http://www.carriere-loegel-rothbach.fr/" target="_blank">la carrière Loegel</a>, <a href="http://www.rauscher.fr/" target="_blank">La carrière Rauscher</a>,<a href="https://carrieres-schneider.fr/" target="_blank"> la carrière Schneider</a>, <a href="https://www.aleonard.fr/" target="_blank"> Tuilerie Aleonard</a>, <a href="https://wienerberger.fr/" target="_blank">Tuilerie et Briqueterie Wienerberger</a>, </span><a href="http://www.tuileriesonntag.fr/" style="font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;" target="_blank">l'association Tuilerie Sonntag</a><span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;">, </span><a href="http://www.emmaus-scherwiller.fr/" style="font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;" target="_blank">Emmaus Scherwiller</a><span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;"> pour leur accueil chaleureux et leur participation en chutes de matériaux.</span><br />
<span style="background-color: white; color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;"><span style="font-size: 13.86px;">Dans ce contexte particulier du quartier des affaires européennes, l</span>'utilisation de chutes de tuiles, briques, grès des Vosges rend hommage à l'économie régionale et à l'exploitation responsable des ressources naturelles. Le temps passant sur la maquette, nous verrons le cycle naturel réaliser sa boucle. Ces matériaux reviendront à la terre pour nourrir les végétaux de demain.</span></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-31545355623265614402018-05-05T15:25:00.002-07:002018-05-06T06:31:33.594-07:00POP UP - Bijou d'arbre<div style="background-color: white; color: #5d5d5d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;">
<span style="color: red; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">En collaboration avec <a href="http://www.emaaa.fr/fr_nous.html" target="_blank">Ménaine LANOË </a>mosaïste</span></div>
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<span style="font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">Mosaïque de pilux, verre, marbre, grès, miroir.</span></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-33096025819310865652018-05-05T15:20:00.000-07:002018-05-06T06:31:59.989-07:00POP UP - Bijou d arbre<div style="background-color: white; font-size: 13.86px; font-style: italic; font-weight: 700;">
<span style="color: red; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">En collaboration avec <a href="http://www.emaaa.fr/fr_nous.html" target="_blank">Ménaine LANOË</a> mosaïste</span></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comRue de la Morinerie, 37700 Saint-Pierre-des-Corps, France47.3936093 0.7488415000000259247.382860300000004 0.7286715000000259 47.4043583 0.76901150000002594tag:blogger.com,1999:blog-7362428651706466162.post-78027687155046017342018-04-26T13:22:00.000-07:002018-05-06T13:41:50.462-07:00GEODESIA #2<br />
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.com23 Rue Boecklin, 67000 Strasbourg, France48.5985522 7.777481500000021726.538148200000002 -33.531112499999978 70.6589562 49.086075500000021tag:blogger.com,1999:blog-7362428651706466162.post-84507715448951361552018-01-30T07:44:00.000-08:002018-05-06T08:06:53.741-07:00GEODESIA #2 étude matériaux<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-77358908996473637122017-11-10T06:57:00.000-08:002018-05-06T13:44:34.112-07:00Etude GEODESIA #1<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white;"><span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Etude mosaïque en collaboration avec </i></b></span></span></span><a href="http://www.emaaa.fr/fr_nous.html" style="background-color: white; color: #e51d00; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700; text-decoration-line: none;" target="_blank">Ménaine LANOË</a><span style="background-color: white; color: red; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px; font-style: italic; font-weight: 700;"> </span>Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-35591999395802578312017-11-02T07:04:00.000-07:002018-05-06T08:07:42.616-07:00Etude VIVACITE STRASBOURG<br />
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-78513362051746903822017-10-05T07:51:00.000-07:002018-05-06T08:13:13.989-07:00Canvas Story - portrait géodésique<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-34264713371018798392017-07-24T01:58:00.000-07:002018-05-06T08:08:08.256-07:00RV à l'expo POINTS DE SUSPENSION<div style="background-color: white; font-size: 13.86px;">
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<span style="font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">LES WEEK-END 29/30 JUILLET et 5/6 AOUT</span></div>
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<span style="font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">samedi 10h - 19h / </span><span style="font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">dimanche 15h - 19h</span></div>
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<span style="font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">Exposition du 30 juin au 13 août 2017</span></div>
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<span style="font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">Eglise Saint-Etienne de BEAUGENCY (45)</span></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-9240396468152096912017-07-24T01:32:00.001-07:002018-05-06T08:08:50.195-07:00GRANDE INTRODUCTION - Espace Jaune de Points de suspension<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.com30 Place du Martroi, 45190 Beaugency, France47.7774552 1.629377900000008622.2554207 -39.679216099999991 73.2994897 42.937971900000008tag:blogger.com,1999:blog-7362428651706466162.post-77995609125522231682017-07-24T01:14:00.000-07:002018-05-06T08:08:21.743-07:00MAMMA MIA IV - Espace Bleu Points de suspension<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.com30 Place du Martroi, 45190 Beaugency, France47.7774552 1.629377900000008622.2554207 -39.679216099999991 73.2994897 42.937971900000008tag:blogger.com,1999:blog-7362428651706466162.post-86224057406223428862017-07-21T15:22:00.000-07:002018-05-06T08:07:56.364-07:00Article POINTS DE SUSPENSION<h1 data-dep="45" data-r="j" detail-id="2474253" style="background-color: white; box-sizing: border-box; color: #333f48; font-family: Lora, serif; font-size: 44px; line-height: 50px; margin: 0px 0px 10px; text-align: center;">
Une exposition aux frontières du visible</h1>
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<li style="box-sizing: border-box; display: inline-block; padding-left: 0px; padding-right: 2px;"><a class="t-simple" href="http://www.larep.fr/vie-locale/loiret/45190/beaugency.html" style="background: rgb(208, 212, 214); box-sizing: border-box; color: #333f48; font-size: 0.65rem; font-weight: 700; line-height: 1; outline: none; padding: 0.1em 0.4em; text-decoration-line: none; text-transform: uppercase;">BEAUGENCY</a></li>
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<span class="c-legende" style="background-color: white; box-sizing: border-box; color: #a2aaad; font-family: "lora" , serif; font-size: 0.8rem; line-height: 1.4; margin-bottom: 20px; margin-top: 1em; text-align: center;">Qui de l’aveugle ou du voyant voit vraiment?? ». Les deux artistes tentent d’y répondre. © Droits réservés</span><br />
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Jusqu'au 13 août, l'église Saint-Étienne accueille « Points de suspension », une installation de peintures et de sculptures d'Azara San et Laurent Verrier.</div>
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Inspirée d'une nouvelle de H.G. Wells, c'est une invitation à voyager au « Pays des aveugles ». Les deux artistes ont constaté que l'essentiel de notre compréhension du monde est confié à la vue. L'art et l'esthétique n'échappent d'ailleurs pas à la règle.</div>
<span class="intertitre" style="box-sizing: border-box; font-weight: bold;">Toucher du regard</span><br />
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Pourtant, « voir est bien plus complexe que d'avoir des yeux ». Les formes, les textures, les reliefs et même les couleurs sont perçus par les aveugles. Dès lors, l'exposition va solliciter le visiteur physiquement. Elle l'invite à saisir l'espace, « en touchant du regard, en regardant avec les doigts ». On comprend qu'elle ne s'adresse pas qu'aux yeux, bien au contraire.</div>
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Avec ses peintures sur plastique, transparentes et mobiles, Azara San s'est emparée du lieu en lui affectant des espaces dédiés aux couleurs primaires et à leurs affects pressentis. Elle y associe les sculptures de Laurent Verrier, faites de strates successives d'acier. Particularité de celles-ci, en y « regardant » de plus près, on s'aperçoit que leurs surfaces sont constellées de petits points en relief, qui semblent organisés en une écriture énigmatique. C'est tout simplement du braille qu'utilise l'artiste pour retranscrire la nouvelle de H.G. Wells, ici reproduite, afin d'être lue, à terme, par des aveugles.</div>
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<span class="texte-accroche pratique" style="box-sizing: border-box; font-style: italic;">J'y vais. </span><span class="pratique" style="box-sizing: border-box; font-style: italic;">Du mardi au vendredi, de 15 à 18 heures ; samedi, de 10 à 13 heures et de 15 à 18 heures ; dimanche, de 15 à 18 heures. Présence des artistes les 29\30 juillet, 5\6 août et sur rendez-vous.</span></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-68599679096320459672017-07-20T16:14:00.004-07:002017-07-24T02:05:23.981-07:00HOMME CHEWING GUM - Espace Rouge de "Points de suspension"<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.com30 Place du Martroi, 45190 Beaugency, France47.7774552 1.629377900000008622.2554207 -39.679216099999991 73.2994897 42.937971900000008tag:blogger.com,1999:blog-7362428651706466162.post-19665978284509797022017-07-20T16:10:00.002-07:002017-07-24T02:06:02.558-07:00OUT OF THE BLUE - Espace Rouge de "Points de suspension"<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.com30 Place du Martroi, 45190 Beaugency, France47.7774552 1.629377900000008622.2554207 -39.679216099999991 73.2994897 42.937971900000008tag:blogger.com,1999:blog-7362428651706466162.post-85193930449600392062017-06-02T13:05:00.000-07:002017-06-02T13:37:47.602-07:00POINTS DE SUSPENSION - expo du 30 juin au 13 août - BEAUGENCY<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Vernissage vendredi 30 juin à 18h30</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Exposition du 30 juin au 13 août 2017</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Eglise Saint-Etienne de BEAUGENCY (45)</i></b></span></span></div>
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<b style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px;"><i>Carla Milivinti 06 08 61 07 86</i></b></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>galeriecarlamilivinti5@gmail.com</i></b></span></span><br />
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i> AZARA San, peintre de la transparence, et Laurent VERRIER, sculpteur d’acier, explorent les frontières du visible. Convaincus de l’importance d’interroger notre vue, les artistes ont voyagé au “Pays des aveugles” sur les chemins d’un H.G. Wells, d’une Sophie Calle...*</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>L’exposition restitue leurs impressions, des signes, des codes apparaissent. Les couleurs, les matières se tendent vers le visiteur et l’engage physiquement à toucher du bout des doigts.</i></b></span></span></div>
<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Une multitude de vibrations dans un espace de liberté !... Réalité ou mirage?...</i></b></span></span><br />
<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>“points de suspension”</i></b></span></span><br />
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i><span style="font-size: 13.86px;"><a href="https://drive.google.com/file/d/0B36vdO3TqKWkcnZyVmMzUDUwYmM/view?usp=sharing">DOSSIER DE PRESSE A TÉLÉCHARGER ICI</a></span></i></b></span></span> <span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i><br /></i></b></span></span><span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i><br /></i></b></span></span><br />
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>L’envie de voyager au “pays des aveugles” est venue en lisant la nouvelle de H.G. Wells*. Il dénonce, sur le mode du conte, la fatuité d’un homme voyant qui cherche à dominer une communauté d’aveugles. Mais qui, de l’aveugle ou du voyant, voit vraiment?</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Dans cette histoire l’écrivain visionnaire anticipe les problèmes posés par la domination visuelle qui fait aujourd’hui société. Oui, c’est bien à la vue que nous confions l’essentiel de notre compréhension du monde tandis que nos autres sens fânent. Oui, les images nous envahissent et, devant la somme de clichés visuels, notre empressement à consommer des yeux nuit à notre présence. L’art et l’esthétique subissent aussi cette automatisation forcée du regard.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Pourtant, voir est bien plus complexe que d’avoir des yeux. Les formes, les lignes, les couleurs, les textures, les reliefs, les pleins, les vides sont largement perçus par les aveugles. C’est qu’il circule des ondes, des signes et des codes en filigrane, des caractères invisibles à l’oeil nu. On ne possède pas la vue, elle se pratique en lien avec le réel.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>“points de suspension” est une exposition de ce retour de voyage au “pays des aveugles”. Elle présente des oeuvres qui tentent de restituer une part de réalité manquée . Elle implique le visiteur physiquement, l’invite à saisir l’espace en touchant du regard et en regardant du bout des doigts.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>Ce n’est pas un parcours aveugle mais une proposition d’usage pour une perception visuelle plus complète, plus juste.</i></b></span></span></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.com30 Place du Martroi, 45190 Beaugency, France47.7774552 1.629377900000008622.2554207 -39.679216099999991 73.2994897 42.937971900000008tag:blogger.com,1999:blog-7362428651706466162.post-33568640040692873792017-06-01T13:44:00.000-07:002017-06-02T13:44:27.631-07:00POINTS DE SUSPENSION - note d'intention<div style="text-align: justify;">
<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Amblyope de naissance, j’ai la chance de ne pas bien voir mais d’apprendre à voir tous les jours. Et ce n’est pas une simple histoire d’oeil ! Sauf à voir du bout des yeux qui se limite à recevoir des directives et informations... Il y a surtout voir à bras le corps qui engage l’intégralité de mes perceptions physiques, psychiques et sociales.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Pour “points de suspension” j’ai entrepris de découvrir l’espace de l’église Saint-Etienne de Beaugency avec cette vision pleine, en considérant le dynamisme des affects. Puis j’ai restitué ce que j’ai perçu, non pas en une succession d’images accrochées aux murs, mais en une seule image entière et organisée. Les sculptures de Laurent y sont intégrées.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>C’est un tableau à l’echelle du lieu, à parcourir pour voir.</i></b></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO7bfIfAnassGWYBtexhekwf9E7GNYNr8m6siXHXZm3W21aSY5ya8-fuqxIc09SkCqgVjVtARwK_r9RiycAa0Ur1E7MeDJqUa4rzBlnWIajVTUsL0-X25tZuOgkCVl_EbF88w6Pibn4YPf/s1600/visuel+azara+san.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="996" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO7bfIfAnassGWYBtexhekwf9E7GNYNr8m6siXHXZm3W21aSY5ya8-fuqxIc09SkCqgVjVtARwK_r9RiycAa0Ur1E7MeDJqUa4rzBlnWIajVTUsL0-X25tZuOgkCVl_EbF88w6Pibn4YPf/s400/visuel+azara+san.jpg" width="248" /></a><span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i><br /></i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Ce lieu est une cuve qui forme un tout.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Mais aussi une sorte de cube </i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>que l’on aurait </i></b></span></span><b style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px;"><i>déployé en quatre volets</i></b></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>libérant le champ des couleurs primaires </i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>et leurs affects pressentis :</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>espace noir/blanc - rytme, flux, contraste, frontière...</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>espace jaune - trou, disparition, tas, chantier, côté...</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>espace rouge - fente, coulure, interdiction, main droite...</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>espace bleu - tube, gangue, filet, sens unique, mamma mia...</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Dans ma recherche je poursuis une peinture dans la relation à...</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Peu m’importe qu’elle soit figurative ou tachiste pourvu qu’elle ne se fige pas dans une représentation et qu’elle participe de ce qui l’entoure, en connexion. De cette façon, la peinture fait chair et joue, comme on dit au cinéma.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Transparence, transformation et transfert. Je la traite comme une peau libérée de la toile opaque et de son lourd châssis.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.86px;"><b><i>Elle est suspendue à l’espace, se décolle du mur ou le troue. Elle est attachée au temps, emprisonne l’instant ou s’écoule. Et ne se retient pas.</i></b></span></span></div>
Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-54985989296405521252017-05-12T13:18:00.000-07:002018-05-06T08:08:36.976-07:00vente aux enchères LES ATELIERS DE LA MORINERIE<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiae41pvjY2dOy3YGioLQqHzmt2NJ1JQ0IRM37dH62iDyl9fUW2MG68m5N2p9wSObch4K2hk0Tl9i86ijuPieX8MUFN4HHS4QYIvOV9n92fZJ9hl2YttCiQvxS1JvOEgMeBprcCHXy986IV/s1600/azara+san+vente+aux+enchers+morinerie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiae41pvjY2dOy3YGioLQqHzmt2NJ1JQ0IRM37dH62iDyl9fUW2MG68m5N2p9wSObch4K2hk0Tl9i86ijuPieX8MUFN4HHS4QYIvOV9n92fZJ9hl2YttCiQvxS1JvOEgMeBprcCHXy986IV/s640/azara+san+vente+aux+enchers+morinerie.jpg" width="480" /></a></div>
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-83671773938918976962017-01-29T12:52:00.001-08:002017-06-02T12:51:33.792-07:00étude beaugency<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQEM8xvg_yKuDQoxFMj89LEiWosNemankbRl5of3PkeJnn3r_i9um7gq_RuC5-YUIf-NTELnDvIfmkWip_14XD5YZh4biV7IRCsny3LCReGAOpborbboRA6nrX4nbns3DmgnWYq-wXUUIW/s1600/azara-san-pli-espace-volet1a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQEM8xvg_yKuDQoxFMj89LEiWosNemankbRl5of3PkeJnn3r_i9um7gq_RuC5-YUIf-NTELnDvIfmkWip_14XD5YZh4biV7IRCsny3LCReGAOpborbboRA6nrX4nbns3DmgnWYq-wXUUIW/s640/azara-san-pli-espace-volet1a.jpg" width="640" /></a></div>
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</span>Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comRue de la Morinerie, 37700 Saint-Pierre-des-Corps, France47.3936093 0.7488415000000259247.382860300000004 0.7286715000000259 47.4043583 0.76901150000002594tag:blogger.com,1999:blog-7362428651706466162.post-26938166415160718422017-01-29T12:32:00.001-08:002017-01-29T12:56:17.406-08:00EXPOSITION BARJU - univers chiffonné<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 14px; text-align: left;">"activer la maison de vacances pour les modérateurs </span></div>
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<span style="background-color: white; color: #1d2129; font-family: Helvetica, Arial, sans-serif; font-size: 14px; text-align: left;">en cas d'abus modifier les dates de Noël prochain"</span></div>
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comtag:blogger.com,1999:blog-7362428651706466162.post-79532260140174999562016-11-01T16:59:00.000-07:002016-11-17T04:26:07.907-08:00RESET - Galerie LyeuxCommuns - 18 au 27 novembre 2016<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i> </i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b>Avec la série RESET nous sommes conduit dans l’espace médiatique à la recherche d’une réalité perdue. Existe-il encore des traces humaines dans ce réseau exclusif et formaté? </b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b>Je présente des micro-prélèvements choisis, grossis, on peut dire observables « à la loupe ». Au premier coup d’œil le constat est acide. Notre société hyper-moderne atomise l’individu, le désincarne, le vide de son sens. Mais de fragments en fragments, mis bout à bout, les échantillons réveillent l’imagination. Notre intuition nous guide et invite avec “trois fois rien” à reconstituer une réalité partagée, pleine d’humour et de poésie.</b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i><br /></i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><b><i><span class="Apple-tab-span" style="font-size: 13.86px; white-space: pre;"> </span><span style="font-size: 13.86px;">“ RESET en informatique signifie réinitialiser. Pour moi, c’est faire le point sur des images qui sont à l’origine d’une série de peintures depuis plus de 10 ans. Une collection d’images avec sous-titre, des prétendues informations prélevées dans le journal local. </span></i></b></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>J’ai choisi de dévoiler cette source dans son aspect le plus brut et de partager la manière dont elle m’a touchée.</i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><b><i><span style="font-size: 13.86px;">Prononcé à la française, “risette” est aussi le petit mot doux du sourire familier. Et c’est important, car si cette recherche est d’abord née d’une colère engagée contre le formatage mediatico-publicitaire, elle m’a surtout conduit à retrouver le sourire. Car enfin, en prenant bien le temps de l’observation, la poésie du réel déjoue toujours le vide que les médias nous laissent."</span></i></b></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>18 19 20 25 26 27 novembre 2016</i></b></span></span><br />
<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i>et sur rendez-vous</i></b></span></span><br />
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b><i><u>Galerie <a href="http://lyeuxcommuns.fr/">Lyeuxcommuns</a></u></i></b></span></span></div>
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<span style="color: #5d5d5d; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 13.86px;"><b>27 rue Etienne Marcel, Tours</b></span></span></div>
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Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comRue Etienne Marcel, 37000 Tours, France47.395004 0.6796174999999493647.395004 0.67961749999994936 47.395004 0.67961749999994936tag:blogger.com,1999:blog-7362428651706466162.post-14874301072911231032016-10-31T07:02:00.000-07:002016-11-21T07:10:52.375-08:00ATELIERS DE LA MORINERIE - vente privée 2016<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/13669757352909502915noreply@blogger.comRue de la Morinerie, 37700 Saint-Pierre-des-Corps, France47.3936093 0.7488415000000259247.382860300000004 0.7286715000000259 47.4043583 0.76901150000002594tag:blogger.com,1999:blog-7362428651706466162.post-43616374734839084702016-10-19T07:18:00.000-07:002016-10-19T07:18:19.631-07:00ARTICLE - Horizontal Dive<div class="separator" style="clear: both; text-align: center;">
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<h1 id="site-title" itemprop="headline" style="background-color: black; color: white; font-family: Oswald, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 54px; line-height: 1em; margin: 0px; text-rendering: optimizeLegibility; text-transform: uppercase; word-wrap: break-word;">
<a href="https://art-icle.fr/">ARTICLE</a></h1>
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LE SITE DE L'ART CONTEMPORAIN ET DES IDÉES SUR ÇA</h2>
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<span style="background-color: white; color: #5d5d5d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.86px; font-style: italic; font-weight: bold;">par Fabrice Bothereau</span></div>
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<span style="color: #333333;">Laurent Verrier et Azara San exposent au Château Monastère de la Corroirie (XIIIe siècle), situé à Chemillé-Sur-Indrois, entre Loches et Montrésor (Indre-et-Loire), du 1er juillet au 30 novembre.</span></div>
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<strong>On distingue quatre types de sculptures sur place</strong>. Une partie est, dirions-nous, hors-contexte, tandis que l’autre est ultra-référencée, puisqu’il s’agit d’un chemin de croix. Verrier a installé trois ensembles de croix, qui, au fur et à mesure des « stations », s’affaissent considérablement, tandis que ce chemin aboutit à une feuille de polycarbonate posée au sol et tachée de rouge, rouge provenant d’une « cascade écarlate », peinte par Azara San, et qui descend du plafond.<br />Dès la première station, les croix ne sont pas rigides, elles sont amollies ; et se dégage alors une étrange densité de la matière elle-même, et du rythme, que Verrier impose à ses sculptures ; rythme qui a tout d’une nature liquide. Verrier est un jeune sculpteur. Cela fait quatre ans qu’il s’est lancé dans la sculpture. Ces œuvres sont en acier doux, qu’il achète brut, et travaille à froid, ou au chalumeau, notamment.</div>
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